On
the
occasion
of
the
anniversary
of
his
death,
I
can’t
help
but
wonder
what
the
founder
of
the
Beatles
—
John
Lennon,
a
master
of
word-play
and
sarcasm
—
would
have
to
say
about
all
sorts
of
things
today.
After
all,
in
his
nearly
20
years
as
a
public
figure
Lennon’s
talent
for
changing
before
our
eyes
was
dazzling.
Alas,
peace
is
still
waiting
for
its
chance.
In
February
of
1964
the
Beatles
made
their
initial
appearances
on
the
Ed
Sullivan
Show.
At
the
time
most
people
probably
didn’t
connect
the
events,
but
those
two
appearances
were
only
three
months
after
the
assassination
of
President
John
F.
Kennedy.
Surely,
the
somber
mood
of
the
nation
following
the
jolts
—
Bang!
Kennedy.
Bang!
Oswald.
—
had
something
to
do
with
why
those
early
Beatles
recordings
cut
through
the
heavy
airwaves
with
such
verve.
Clearly,
there
has
been
no
explosion
in
the
American
pop
music
scene
since
—
ka-pow!
—
with
anything
near
the
equivalent
impact
of
Liverpool’s
Fab
Four.
Then,
in
1980,
the
murder
of
moody
John
Lennon
had
an
impact
on
the
public
few
would
have
predicted.
It
was
as
if
a
world
leader
had
been
gunned
down
on
the
street
in
Manhattan.
Lennon’s
obvious
contributions
as
a
songwriter
and
musician
were
huge.
However,
it
was
the
working
class
hero’s
sincerity,
his
sense
of
humor
and
delight
in
taking
risks
that
helped
set
him
apart
from
his
teen
idol
counterparts,
many
of
whom
toyed
with
politics
and
social
causes
as
if
they
were
merely
hairdos
or
dance
crazes.
With
the
Vietnam
War
still
underway
in
the
early
‘70s,
President
Richard
Nixon
looked
at
Lennon
and
saw
the
raw
power
to
galvanize
a
generation’s
anti-establishment
sentiments.
Fearful
of
that
potential,
the
Nixon
administration
did
everything
it
could
to
hound
Lennon
out
of
the
country.
The
details
of
that
nasty
little
campaign
are
just
as
bewildering
as
some
of
the
better
known
abuses
that
flowed
from
the
Dirty
Tricks
Department
in
the
White
House
during
those
scandal-ridden
days.
With
so
many
years
of
perspective
on
Lennon’s
death,
it’s
easy
to
see
that
even
if
that
particular
nut-case
(a
man
I
choose
not
to
name
because
I
refuse
to
add
in
any
way
to
his
celebrity)
hadn’t
pulled
the
trigger,
it
could
easily
have
been
another
one;
there
were
bullets
out
there
with
John
Lennon’s
name
on
them.
Like
the
comets
of
each
generation
are
bound
to
do,
sometimes
Lennon
the
superstar
burned
too
bright
for
his
own
good.
And,
speaking
of
assassins,
at
this
time
I’m
also
reminded
of
an
item
that
ran
in
the
Nashville
Banner
on
Feb.
24,
1987.
The
article
began
with
this:
“Two
Nashville
musicians
remained
free
on
$500
bond
today
after
they
went
on
a
magazine-shredding
tear
…to
protest
People
magazine’s
current
cover
story.”
The
two
musicians
were
Gregg
Wetzel,
and
Mike
McAdam.
As
members
of
the
Good
Humor
Band
they
were
fixtures
in
Richmond’s
Rock
‘n’
Roll
scene
in
the
early
‘80s.
By
the
time
the
story
mentioned
above
was
published,
the
pair
had
established
themselves
as
respected
sidemen
in
Nashville
—
Wetzel
on
piano
and
McAdam
on
guitar.
In
a
nutshell,
Gregg
and
Mike
became
incensed
at
seeing
the
magazine
with
a
cover
story
about
John
Lennon’s
murderer.
They
felt
spotlighting
the
killer
in
that
way
might
encourage
another
deranged
wannabe
to
take
gun
in
hand
to
go
after
whoever.
So
they
fortified
themselves
with
an
adequate
dose
of
what-it-takes
—
legend
has
it
they
were
drinking
out
of
an
Elvis
decanter
—
and
set
out
on
a
mission
to
destroy
the
cover
of
every
copy
of
the
offensive
publication
they
could
find
on
the
strip.
As
the
reader
may
know,
this
sort
of
endeavor
is
frequently
best
undertaken
in
the
wee
hours.
In
the
course
of
their
fifth
stop,
at
a
Nashville
convenience
store,
the
avenging
angels
were
stopped
by
the
cops
and
charged
with
“malicious
mischief.”
Shortly
afterwards,
in
a
interview
about
the
incident,
McAdam
said
at
the
time,
“If
another
guy
like
[name
withheld
again]
sees
that,
he
might
think
he
can
get
on
the
cover
of
People
magazine
by
killing
a
politician
or
artist.”
Bravo!
Primary
among
the
reasons
John
Lennon
was
selected
for
the
kill
by
his
stalking
murderer
was
he
had
a
rare
ability
to
move
people.
In
that
sense,
Lennon
was
slain
for
the
same
reason
as
political
figures
such
as
Martin
Luther
King
and
Robert
F.
Kennedy.
Two
thousand
years
ago
Jesus
H.
Christ
was
taken
out
of
the
game
for
much
the
same
reason:
He
challenged
people
to
change;
to
take
a
chance
on
a
life
based
on
something
better
than
might
making
right.
Although
Nixon
miscalculated
Lennon’s
intentions,
the
soon-to-be-disgraced
president
was
probably
right
about
the
former
Beatle’s
potential
to
focus
the
anti-establishment
sentiments
in
the
air.
What
Nixon
didn’t
grasp
was
that
Lennon
—
in
spite
of
his
mischievous
streak
—
was
really
more
interested
in
promoting
peace
than
fomenting
revolution.
“The
cops
looked
at
me
and
McAdam,”
said
Wetzel
recently,
to
flesh
out
the
20-year-old
tale,
“decided
we
weren’t
exactly
flight
risks
and
entrusted
our
transport
to
the
pokey
with
an
attractive
female
officer,
all
by
her
lonesome.
On
the
way
to
the
hoosegow,
Mickey
hit
on
the
cop.
True
story.”
After
listening
to
a
John
Lennon
compilation
CD,
even
today,
some
of
his
best
post-Beatles
cuts
seem
fresh,
they
still
have
the
feeling
of
being
experimental.
Now,
on
the
27th
anniversary
of
his
death,
well
into
what
are
truly
strange
days,
indeed
…
Peace.